I started streaming Crazy Ex-Girlfriend ( a.k.a. CXGF) on Netflix on Saturday night. The “Sexy Getting Ready Song” was refreshingly accurate. I was hooked after that. However, by episode 15, my interest took a dive. I’m afraid that much like my beloved The Good Wife, CXGF might be trapped in its name. Could it have hit the repetition wall–the dreaded point where the premise dies and the show must end–in the middle of its first season? I’m hoping for some kind of diegetic deus ex machina to refresh the show. While definitely a cumulative show, it leans heavily toward the episodic end of that spectrum, and that’s not ideal for binge watching. If I allowed a week to pass before watching the next episode, perhaps I’d be content. Maybe I should?
Finally starting The Americans. It airs on FX, but I’m streaming it from the beginning on Amazon Prime Video. Love that Death Comes to Pemberley‘s Darcy co-stars! I’m not really familiar with Kerri Russell. I watched a few episodes of Felicity…I think…back when it was on. All I know is that I need to at least give a shot to any show Todd VanDerWerff is obsessed with.
*If you haven’t seen it, you should definitely stream DCTP on Netflix.
I would be much more into Jennifer Lopez’s feminist anthem, “Ain’t Your Mama“, if the excellent nod to Network in the opening wasn’t interrupted with the most blatant product placement I’ve ever seen outside a soap opera. I understand the need for TV shows to increase profitability with integrated advertising. But WTF, J.Lo? Someone explain the need for a wealthy, powerful pop star to (not subtly) hawk Lavazza in a music video? Soaps are really struggling (largely bc of the hegemony of masculinity, btw), so I get that. But, J.Lo? Wtf wtf wtf???😟